Wednesday, February 19, 2020

How to Watch Hail, Caesar! 2016 Online

How to Watch Hail, Caesar! 2016 Online









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How to Watch Hail, Caesar! 2016 Online




Filmteam

Coordination art Department : Quillan Aesha

Stunt coordinator : Latin Honoré

Script layout :Talbot Denard

Pictures : Millet Tasanee
Co-Produzent : Cogniet Erwan

Executive producer : Dagron Hallee

Director of supervisory art : Alexi Armando

Produce : Morton Alva

Manufacturer : Paulson Denzil

Actress : Jonie Langdon



When a Hollywood star mysteriously disappears in the middle of filming, the studio sends their "fixer" to get him back. Set in the 1950s, the story was inspired by the career of Eddie Mannix (1891–1963).

5.9
2518






Movie Title

Hail, Caesar!

Time

115 seconds

Release

2016-02-05

Kuality

DTS 1440p
HDTV

Categories

Comedy, Drama, Mystery

speech

English

castname

Curry
Q.
Kerman, Jihane S. Fortun, Meïr N. Sexton





How to Watch Hail, Caesar! 2016 Online



Film kurz

Spent : $041,943,580

Income : $801,296,497

Categorie : Trivia - Abtreibung , Schrecken - Widerstand paradox , Medizin - Uncategorized , Melodramma telefilm - epidiktisch

Production Country : Äthiopien

Production : Toyota



There’s a scene halfway through the film when Hobie Doyle (Alden Ehrenreich), a Western B-movie star, is cast in a fancy melodrama helmed by Laurence Laurentz (Ralph Fiennes). Doyle is hopelessly out of his element, hobbling about in his new suit–the switch was the studio’s idea in an effort to broaden Doyle’s appeal, much to Laurentz’s dismay. It’s not long before the two engage in a back-and-forth, Laurentz trying to get Doyle to pronounce “Would that it ‘twere so simple”, and Doyle trying desperately to appease Laurentz. After a lengthy exchange, both are left exacerbated. Much later in the film, we catch a glimpse of the final version, where Doyle and Laurentz compromise with a much simpler: “It’s…complicated.”

Complicated is exactly what’s at the heart of this situation. Laurentz’s increasing frustration with this obvious miscast and Doyle’s confusion may serve to fuel the slapstick comedy on exhibit, yet this scene alludes to so much more. It’s the inner mechanics of Hollywood, where directors are mere technicians and actors are props, all to be assigned and managed. It’s the clashing of proud classical Hollywood traditions of entertainment and escapism with the dreaded rise of message films and sophisticated art. It’s the contradictory nature of unfettered creativity with capitalism and consumerism, where compromise–and perhaps communism–seems to be the only way out.

This is just one slice of the screwball nature that is the Coen Brothers’ latest comedy, Hail, Caesar! There’s also a kidnapped Roman soldier, Baird Whitlock (George Clooney at his dimmest and greatest), a handsome sailor (Channing Tatum) and a beautiful mermaid (Scarlett Johansson). All opportunities–that the Coens gladly take–to simultaneously demonstrate the power and influence of cinema, while mocking its sense of self-importance.

Each scene is allowed to play out, Channing Tatum and his homoerotic musical number or Scarlett Johansson’s hypnotizing aquatic acrobatics. It’s not only an homage films of the Golden Era, but a demonstration of the mechanics that make film such an appealing medium. The Coen Brothers have a firm grasp on the allure behind each piece, using the acting, staging and costumes to propel Hail, Caesar! forward. It’s a simple concept–use filmmaking techniques to advance a theme and narrative, but by prioritizing these lengthy sequences over traditional narrative pacing or dialogue, the Coen Brothers give room for these fundamental concepts to breathe and thrive.

It’s all threaded together through Josh Brolin’s character, Eddie Mannix, studio fixer. And there’s a lot that needs fixing: a pregnant star, a discontent director, communism, threat from the future–the usual. It’s a packed schedule, and the film follows suit with a similarly hectic pacing. An array of symbols, innuendos and subversions are thrown at the viewer: Capital Studios butting with Das Kapital, Mannix being offered a role at Lockheed where they tout a more stable industry– weapon-making, or Whitlock staring at the audience as he addresses God. It borders on bombastic, but there’s just too much wit, and heart, here to discredit any of the ideas presented–fleshed out or not.

Hail, Caesar! doesn’t break new ground in the increasingly crowded sub-genre of Hollywood-on-Hollywood, but it hits a Goldilocks concoction between inside baseball cynicism and endearing love letter. Though all these antics, the Coen Brothers argue, quite convincingly, that everything in film matters, while also making a case for the futility and hollowness of anything produced on the grounds of Hollywood. So is this a nihilistic shrug at our attempt at defining and contextualizing or a fierce exhibition of the inherent power of Hollywood where life imitates art? Well, as Doyle would try to tell you, “Would that it ‘twere so simple.”
I am a fan of the Cohen Brothers, but I will not lay laurels at the feet of a movie simply because it bears their name. _Hail, Caesar!_ is not one of their better efforts.

Unrelated: I also wonder why they felt it necessary to hide the fact that they were making a faith-based film in the trailers.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**Once upon a time the king Julius Caesar was kidnapped!**

So here's the new film from the Coen brothers. They have become rare in the recent years, I was always checking out what's next for them and now I'm slightly disappointed with this. I enjoyed watching it, it is one of those you want to rate them better, but you can't for some unidentified reasons. According to my analysis why I was not satisfied fully is the story. I mean the narration was rich, performances were phenomenal and music, locations, all were fantastic, but the screenplay was kind of aimless. The beginning, the ending or even in the mid part it had no purpose, but something like a mockumentary about the film industry of the 1950s.

With the average screenplay, the directors have shown their magic. Very cool presentation, you would enjoy it if you're theirs films fan. But I don't think all his fans would be pleased enough. This is truly a multi-starrer film, everybody was at their best in their retro characters. If you share your experience with others who also saw it, they might ask who do you liked the most. Probably many would favour Josh Brolin, because he had more priority than others who comes under his belt. But George Clooney and Alden Ehrenreich also have given a good show followed by Scarlett Johansso and Tilda Swinton. The remaining ones as well not bad, but Jonah Hill was completely a waste.

Since it is about the film industry and its people, brace yourself for some good laughs. There is variety in it like different genre/theme and multiple layers in the narration. Like from moving to the western to the historical subject and then to the musical and many more. It did good at the box office against its budget, only because of the star power it has and the filmmaker's reputation came in handy. Though I hope the Coen brothers would come back strong with another product and it does not take another 3 years. It is not an award winning film, just a good entertainer, but praisable quality.

_6/10_

How to Watch Creed 2015 Online

How to Watch Creed 2015 Online









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How to Watch Creed 2015 Online




Filmteam

Coordination art Department : Jennah Juliane

Stunt coordinator : Yuseph Amélia

Script layout :Clancy Aved

Pictures : Mérelle Jaquan
Co-Produzent : Nashra Tully

Executive producer : Zeynab Rémi

Director of supervisory art : Sharice Alixe

Produce : Tiffney Bhavika

Manufacturer : Baron Marny

Actress : Knight Jazmyn



The former World Heavyweight Champion Rocky Balboa serves as a trainer and mentor to Adonis Johnson, the son of his late friend and former rival Apollo Creed.

7.3
4351






Movie Title

Creed

Moment

182 minutes

Release

2015-11-25

Quality

FLV 720p
HDTV

Category

Drama

language

English

castname

Fuad
Y.
Pedro, Romina I. Suzann, Leanor S. Reginia





How to Watch Creed 2015 Online



Film kurz

Spent : $904,216,697

Income : $279,306,299

category : Kontroverse - Demut , Reden - Programm , Raub - Uncategorized , Kosmisch - Abtreibung

Production Country : Uganda

Production : Suomen Televisio



one of best boxing movie i ever watched...it's a spin off to the original rocky series....Michael B. Jordan is perfect in his role...it's maybe one of the Sylvester Stallone's best performance till the date...the boxing scenes are really good....Ryan Coogler done a great job...must watch if u love boxing...
> CREED is the new ROCKY.

Honestly, I was looking for the 7th film in the 'Rocky' series, so this spinoff was totally unexpected. But it is the right thing since the Rocky Balboa is getting old. Besides, in this reboot era, keeping franchise alive and leaping into the next generation was a very smart move. By doing this, they're keeping the original series fans with them to back it. I hope this will only get going like the Bond movies, since the young star, Jordan has another 30+ year potential to continue the 'Rocky' legacy by delivering some hits in his belt.

I don't know how they have done it, just kept everything so simple yet delivered a successful movie. The director of 'Fruitvale Station' and its actor Jordan's second successive run. I wish the combo return for the third time for another grand scale flick. Of course Stallone's presence made a big difference, but the way his character was portrayed, I feel the next film will get more emotional, especially between Rocky and Adonis like Rocky and Micky. And I'm also hoping for a bit better romantic tale on the side.

I grew up watching 'Rocky' movies, so I wanted badly it to be at least a decent, but it is a fantastic flick and I definitely suggest for those people like me. The youngsters as well can taste the new beginning in the Rocky legacy. CREED is the new ROCKY. The blueprint for the screenplay was exactly same as the original movies, even the music was very comparable yet everything was updated to the current timeline. Now I'm looking for a follow-up in the next 3 years.

8/10
Так себе. Местами пафос просто прет наружу - даже противно смотреть. Сюжет вытянет из пальца, особенно не понравилось наличие больных в фильме: девушка музыкант, теряющая слух и рокки у которого находят рак. Если бы не фильмы про рокки, то я в принципе сомневаюсь, что фильм бы заметили.

How to Watch Vicky Cristina Barcelona 2008 Online

How to Watch Vicky Cristina Barcelona 2008 Online









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How to Watch Vicky Cristina Barcelona 2008 Online




Filmteam

Coordination art Department : Ellis Réjane

Stunt coordinator : Atara Erine

Script layout :Zelda Moquin

Pictures : Bray Lynn
Co-Produzent : Summers Malet

Executive producer : Dessay Erline

Director of supervisory art : Calise Merdan

Produce : Auhert Boris

Manufacturer : Norhane Odélia

Actress : Kaycee Apollo



Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.

6.8
2200






Movie Title

Vicky Cristina Barcelona

Time

121 seconds

Release

2008-08-15

Quality

AVI 1080p
TVrip

Categorie

Drama, Romance

language

Español, English

castname

Deeann
N.
Lennon, Khanh Z. Cecilia, Sparks A. Paget





How to Watch Vicky Cristina Barcelona 2008 Online



Film kurz

Spent : $746,790,550

Revenue : $665,586,518

categories : ParParties - Physiologie , Kosmisch - Horrorfilm , Biblisch - Betroffene Ethik , Biblisch - Ethnografisch

Production Country : Guyana

Production : Rucksack Productions



Tuesday, February 18, 2020

How to Watch Equilibrium 2002 Online

How to Watch Equilibrium 2002 Online









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How to Watch Equilibrium 2002 Online




Filmteam

Coordination art Department : Chantay Dacre

Stunt coordinator : Beard Duwa

Script layout :Fréret Dinah

Pictures : Mérode Aviya
Co-Produzent : Fisher Michai

Executive producer : Payet Dubeau

Director of supervisory art : Lindsay Deba

Produce : Popesco Rennes

Manufacturer : January Badis

Actress : Wayne Astou



In a dystopian future, a totalitarian regime maintains peace by subduing the populace with a drug, and displays of emotion are punishable by death. A man in charge of enforcing the law rises to overthrow the system.

7
2668






Movie Title

Equilibrium

Moment

118 minutes

Release

2002-12-06

Kuality

M2V 1440p
DVDScr

Categories

Action, Science Fiction, Thriller

speech

English

castname

Carina
H.
Carragh, Cogniet S. Ashton, Jayce B. Esteban





How to Watch Equilibrium 2002 Online



Film kurz

Spent : $424,540,375

Income : $401,393,201

categories : Isolation - Trennung , Zoologie - Benzin , Armee - Impressionist Lernen Judicial Floors Wildlife Film , Kommunismus - Neuseeland

Production Country : Bhutan

Production : Exilene Films



Set in an Orwellian Dystopian future after a nasty world war 3 in the early part of the 21st century. The population are forced to take drugs that suppress their emotions. You see emotions causes conflict and war.

However some people exhibit emotions by not taking the medicine. They want to listen to music, experience their senses by seeing artwork, read books or having pets.

These people are exterminated by clerics, an elite hit squad. Christian Bale is the best of the clerics but once he stops taking his medicine, he feels for the first time and gets into contact with a resistance group to overthrow the leader.

Filmed in Berlin, Equilibrium comes across like an updated version of Fahrenheit 451 but feels too much like a knockoff of The Matrix with a rather a sterile narrative at the beginning which made it rather uninvolving.

Bale's behaviour is so odd once he stops taking the drugs, he should just had been caught and shot.
So there's a pretty decent chance that _Equilibrium_ doesn't have an original bone in its entire makeup, but I still just **love **it.

_Final rating:★★★★ - Very strong appeal. A personal favourite._

How to Watch Righteous Kill 2008 Online

How to Watch Righteous Kill 2008 Online









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How to Watch Righteous Kill 2008 Online




Movieteam

Coordination art Department : Markus Shamima

Stunt coordinator : Peppin Bodin

Script layout :Inika Desnos

Pictures : Shanley Alexane
Co-Produzent : Debbie Daoust

Executive producer : Ameya Beenish

Director of supervisory art : Miela Bright

Produce : Miriam Yousra

Manufacturer : Effi Egor

Actress : Eloane Nimrah



Two veteran New York City detectives work to identify the possible connection between a recent murder and a case they believe they solved years ago; is there a serial killer on the loose, and did they perhaps put the wrong person behind bars?

5.9
676






Movie Title

Righteous Kill

Hour

161 minutes

Release

2008-09-11

Quality

FLA 1080p
WEBrip

Categorie

Action, Crime, Drama, Thriller

language

English, Pусский, Español

castname

Lilou
X.
Zyad, Karlene T. Ksenija, Deville S. Elone





How to Watch Righteous Kill 2008 Online



Film kurz

Spent : $369,107,678

Income : $318,335,933

categories : Hysterisch - Spionage , Komödie - rätselhaft , Toleranz - Worte , Fantasie - Fidelity

Production Country : Mikronesien

Production : History Channel



How to Watch X-Men: Apocalypse 2016 Online

How to Watch X-Men: Apocalypse 2016 Online









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How to Watch X-Men: Apocalypse 2016 Online




Movieteam

Coordination art Department : Lassana Duffet

Stunt coordinator : Malia Jarod

Script layout :Jayla Zinnia

Pictures : Brucie Little
Co-Produzent : Arnoldo Zlaty

Executive producer : Conwell Pividal

Director of supervisory art : Enlli Tertia

Produce : Yashika Jayme

Manufacturer : Fonck Attiya

Actress : Merryn Ruby



After the re-emergence of the world's first mutant, world-destroyer Apocalypse, the X-Men must unite to defeat his extinction level plan.

6.5
8913






Movie Title

X-Men: Apocalypse

Clock

161 minutes

Release

2016-05-18

Kuality

WMV 1080p
BRRip

Categories

Action, Adventure, Science Fiction, Fantasy

language

English

castname

Debora
K.
Lima, Pratt E. Pointer, Suresh K. Keshavi





How to Watch X-Men: Apocalypse 2016 Online



Film kurz

Spent : $628,629,968

Revenue : $282,181,502

Group : Krieg - Lebenslauf , Bösewicht - Preis , Verrat - Frühling , Wandern - Einfachheit

Production Country : Algerien

Production : Thirteen Productions



Not really a step forward in the X-Men franchise. Read my full review here.

http://www.hweird1reviews.com/allreviews/x-men-apocalypse-review
Though far from the worst _X-Men_ film, _Apocalypse_ was still a disappointment, because until this entry, every Bryan Singer _X-Men_ film had been excellent. _Apocalypse_ is a far cry from terrible, but it is underwhelming given Singer's history, as well as in and of itself.

Certain actors, who shall remain Jennifer Lawrence, were completely checked out in this instalment. The CGI was often so bad it was confronting, even in the climax of the film. Apocalypse's plan was plot-hole-y and underdeveloped, and not all of the new characters hit it out of the park.

There was still a lot to like here though. Some of the newer costumes were neat, and a lot of the side-plots had me very intrigued. Fassbender and McAvoy are excellent as always. It's certainly not a failure amongst the likes of, for example, _X-Men: The Last Stand_. Which was a good callout in _Apocalypse_. Another thing I enjoyed.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**Another ancient power was awoken and blah blah blah.**

I have seen almost all the superhero films of the recent time, but this is the franchise I never liked. I'm sorry to say that, but that's the truth. The 'X-Men' series never made me sense, particularly to say it from the Marvel comics is a disappointment. When it comes to 'Wolverine', my opinion is different, because I loved those films. Hugh Jackman as Logan is the only 'X-Men' I love, so like usual this is another waste of time from its series to me.

I even enjoyed the recently rebooted 'Fantastic Four', but not this one. There's nothing new in the story, it's the same plot stolen from the different films. Like an ancient force is awoken who tries to rule the world by destroying everything created so far by the humans. So the mutants join hands to bring him down and we know what happens at the end. Apart from the vfx, this is very boring film and 150 minutes runtime was another lengthy joke that you never laugh.

Not just me, many people, even 'X-Men' fans showed displeasure over this film. That means, Bryan Singer's stint with the franchise is pretty much over. So they will going to bring a new one and that's another disappointment, because I don't know how long they're going to drag this series. End it already. Anyway, like I said I never was or will be this universe fan, so I don't care much, rather I just give them a try when they get released and obviously I'm to end in regret watching. Instead, I'm looking forward to the final 'Wolverine' film with Hugh Jackman.

_5/10_
X-Men Apocalypse is typical of what you would expect from a Marvel X-Men movie. Light on story and depth and heavy on special effects and action. In short it is exactly what I, as a Science Fiction and Fantasy geek, would expect as well as hope for.

The X-Men faces a new threat in the form of the worlds first mutant. Naturally said mutant is really a Übermutant vastly more powerful than any “normal” mutant. Equally naturally this Übermutant is set on a path of world destruction and domination. I quite liked this villain. He is a good all evil and powerful bad guy and a worthy adversary. No nonsense about trying to make the villain likable or trying to explain why he turned evil or such like. This guy is evil, he is the bad guy, he needs to be taken down…full stop.

As I wrote the story is not the most elaborate one around but it is a good one within the confines of a Marvel super hero movie. It gets the job done without being overly stupid or silly. It is set in the “prequel” universe created by X-Men First Class. The movie adds a few new X-Men to the ranks of Professor Xaviers team. Some of them thanks to the manipulations of Apocalypse although they start out on the bad side at first.

The movie moves along at a decent enough pace and, as was mentioned, there are quite a few action sequences and special effects thrown at the viewer throughout the movie. Personally I found the special effects to be quite good. Even stunning at times. I am quite a bit of a special effects nerd so of course this pleased me a lot.

The movies ending certainly opens the door to future X-Men movies and I for sure would like to see the franchise continue. I very much enjoyed these almost two and a half hours in front of my TV set.
*** This review may contain spoilers ***

After immensely enjoying the turn the X-Men franchise took after the disappointment of X-Men: The Last Stand, I was pretty excited to see this movie. I love comics, but I never got into the X-Men, so I can excuse some of the inaccuracies that seemed to upset hardcore fans. I just enjoyed the movies.

X-Men Apocalypse is the weakest film since duds like Last Stand and Wolverine Origins. It just didn't have a whole lot going on. One of the biggest critiques of Marvel (yes, I know X-Men films aren't produced by Marvel Studios, but I'm speaking of the publisher of the original medium) is that their villains are lackluster. The big baddie through the whole franchise has been Magneto, easily the most charismatic and entertaining Marvel villain on film. Though we've had brushes with Stryker and Trask and his sentinels, this is the first movie in which the X-Men had taken on a true super villain who wasn't Magneto-- Wolverine vs. The Silver Samurai aside.

But it's almost like director Bryan Singer painted himself into a corner with Apocalypse. The villain was too powerful and could have easily achieved his goals without the help of his "four horsemen." He could have ended the world, in mere minutes, all by himself. But, of course, that would make a boring movie, so Singer and Co. had to figure out what to do with the world's most powerful and dangerous mutant for two hours before the final climax was to begin.

There were scenes where the villains were literally sitting around the desert talking about how they were going to lay waste to a city on the horizon. There were scenes where the most powerful of the villains went out recruiting much less powerful villains to join him. Really, Singer just didn't know what to do with this character. How do you create conflict and drama when the bad guy is just too powerful? Well, you can't.

Of course, after two hours of watching the most powerful mutant ever talk about what he is going to do (instead of simply doing it) he finally unleashes his fury. Except that, the X- Men actually have the most powerful mutant in the world on their side in Jean Grey.

So, again, why is Jean not simply destroying Apocalypse in the first 10 minutes of the movie? Because, running time needs filler.

And that's basically what this movie is: Filler. They came up with a concept that would make the storytelling aspect problematic. And rather than tweaking the concept or fleshing out the story with subplots, they just assumed explosions and superhero fights would be enough to carry the film.
What a let down after Days of Future Past (the best X-Men movie ever, in my opinion). Bryan Singer has usually directed some of the best films of the franchise but this one is a real clunker. Too many characters with not enough development and a very lackluster villain. Oscar Isaac is a talented actor, but even he can't make Apocalypse interesting under all that silly blue make up. Characters like Angel and Psylocke, as Apocalypse's horsemen, are very thinly written and barely have a personality. Also, it is absolutely ridiculous that the villain Mystique is transformed into a role model and leader for the X-Men in this movie. Jennifer Lawrence looks bored throughout and barely appears as Mystique's true blue self even though she's supposed to be an out and proud mutant. A real disappointment.
***Ranks with the best in the X-Men franchise***

Released in 2016 and directed/co-written by Bryan Singer, "X-Men: Apocalypse" has the team go up against the first mutant, Apocalypse (Oscar Isaac), whose origins date back to ancient Egypt. After thousands of years in stasis, Apocalypse is immediately disillusioned by the state of the world and so recruits a team of worthy mutants, including a dispirited Magneto (Michael Fassbender), to purge humanity and craft a new world order over which he will reign. Professor X (James McAvoy), with the assistance of Raven (Jennifer Lawrence), leads a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction. Josh Helman is on hand as Col. Stryker.

This sixth film in the franchise (not including the several spin off films) easily ranks as one of the best. It includes many of the best elements of the X-Men and everything I would want in a great X-Men flick:

Professor X's ongoing goal for an educational sanctuary for interesting mutants from all over the world; his love for Moira (Rose Byrne); Magneto's increasing mastery of his great powers and his struggle to go on the offensive against prejudiced humanity; a greater focus on Cyclops (Tye Sheridan) and his potent power, both of which were neglected in the original trilogy; an outstanding actress to play Jean Grey (Sophie Turner), who is far better than the bland Famke Janssen; Olivia Munn's ultra-hotness as Psylocke; a worthy subplot on Weapon X with the corresponding guest appearance of Wolverine (Hugh Jackman); an excellent collection of young mutants, like Storm (Alexandra Shipp), Beast (Nicholas Hoult), Quicksilver (Evan Peters), Nightcrawler (Kodi Smit-McPhee), Havok (Lucas Till), Angel (Ben Hardy), etc.; a worthy main villain in the mold of Dr. Doom and Thanatos; an epic, apocalyptic final act (sorry); I could go on and on.

This isn't to say the movie doesn't have faults, however; the cartoony overblown prologue in ancient Egypt is Exhibit A.

The film runs 144 minutes and was shot in Quebec, Canada (Greenfield Park, Montreal and Oka).

GRADE: A-
Plenty of action with good acting, however, Apocalypse (the villain) lacks originality. X-Men: Apocalypse is a mediocre film in the respected franchise that is "X-Men"

Monday, February 17, 2020

How to Watch Rambo: Last Blood 2019 Online

How to Watch Rambo: Last Blood 2019 Online









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How to Watch Rambo: Last Blood 2019 Online




Filmteam

Coordination art Department : Sophie Lola

Stunt coordinator : Naima Tallan

Script layout :Johanna Volkan

Pictures : Noiret Gwendal
Co-Produzent : Genevre Rimi

Executive producer : Emelyne Koben

Director of supervisory art : Mahiba Audric

Produce : Roure Bazaine

Manufacturer : Innes Ishaq

Actress : Kaycee Foessel



After fighting his demons for decades, John Rambo now lives in peace on his family ranch in Arizona, but his rest is interrupted when Gabriela, the granddaughter of his housekeeper María, disappears after crossing the border into Mexico to meet her biological father. Rambo, who has become a true father figure for Gabriela over the years, undertakes a desperate and dangerous journey to find her.

5.9
911






Movie Title

Rambo: Last Blood

Moment

148 minutes

Release

2019-09-19

Kuality

MPEG-1 720p
HDTS

Categorie

Action, Thriller, Drama

language

English, Español

castname

Grazia
Y.
Tahar, Narges G. Lyra, Maidie V. Ozge





How to Watch Rambo: Last Blood 2019 Online



Film kurz

Spent : $505,298,342

Revenue : $107,796,639

Group : Völkermord - Bibliothek , Zynisch - Weihnachten , Reisen - Worte , Guru - Idee

Production Country : Vereinigte Staaten

Production : Ludus Entertainment



**_Guns, carnage, explosions, and xenophobia - everything you could want from a Rambo movie; hugely entertaining_**

>**Col. Sam Trautman**: _Think about what you're doing. The building's perimeter is covered. No exit. There are nearly 200 men out there and a lot of M-16s. You did everything to make this private war happen. You've done enough damage. This mission is over, Rambo. Do you understand me? This mission is over. Look at them out there. Look at them. If you won't end this now, they will kill you. Is that what you want? It's over, Johnny. It's over._

>**John Rambo**: _NOTHING IS O__VER. Nothing. You just don't turn it off. It wasn't my war. You asked me, I didn't ask you. And I did what I had to do to win, but somebody wouldn't let us win. And I come back to the world, and I see all those maggots at the airport, protesting me, spitting, calling me "baby killer", and all kinds of vile crap. Who are they to protest me, huh? Who are they, unless they been me and been there, and know what the hell they're yelling about?_

>**Trautman**: _It was a bad time for everyone, Rambo. It's all in the past now._

>**Rambo**: _For you. For me, civilian life is nothing. In the field, we had a code of honour. You watch my back, I watch your's. Back here, there's nothing._

>**Trautman**: _You're the last of an elite group. Don't end it like this._

>**Rambo**: _Back there, I could fly a gunship. I could drive a tank. I was in charge of million dollar equipment. Back here, I can't even get a job PARKING CARS. Where is everybody? Oh, God. I had a friend, was in the Air Force. I had all these guys, man. Back there, I had all these fucking guys who were my friends. Back here, there's nothing. Remember Danforth? He wore this black headband, and he took one of those magic markers. He mailed it to Las Vegas, 'cause we were always talking about Vegas, and this fucking car, this red '58 Chevy convertible, he was talking about this car; he said we were gonna cruise 'til the tires fall off. [begins sobbing] We were in this bar in Saigon and this kid comes up, this kid carrying a shoe-shine box. And he says, "Shine, please, shine". I said "No." He kept asking, and Joey said "Yeah." And, I went to get a couple beers, and the box was wired, and he opened up the box, fucking blew his body all over the place. And he's laying there, and he's fucking screaming, there's pieces of him all over me, and I'm tryin' to pull him off, you know, he's my friend and he's all over me. I got blood and everything, and I'm trying to hold him together, put him together, his fucking insides keep coming out, and nobody would help. Nobody would help, and he's saying "I wanna go home. I wanna go home." He keeps calling my name. "I wanna go home, Johnny. I wanna drive my Chevy". I said "With what? I can't find your fucking legs. I can't find your legs." I can't get it out of my head. I've dreamed it for seven years. Every day, I have this. And sometimes, I wake up, and I don't know where I am. I don't talk to anybody. Sometimes a day, a week, I can't put it out of my mind._

- _First Blood_ (1982); Wri. Michael Kozoll, William Sackheim, Sylvester Stallone, (based on the 1972 novel by David Morrell); Dir. Ted Kotcheff

>**Maj. Roger Murdock**: _Trautman, I still don't think you understand what this is all about._

>**Trautman**: _The same as it always is. Money. In '72 we were supposed to pay the Cong four-and-a-half billion in war reparations. We reneged, they kept the POWs, and you're doing the same thing all over again._

>**Murdock**: _And what the hell would you do, Trautman? Pay blackmail money to ransom our own men and finance the war effort against our allies? What if some burn-out POW shows up on the six o-clock news? What do you want to do? Start the war all over again? You wanna bomb Hà Nội? You want everybody screaming for armed invasion? Do you honestly think somebody's gonna get up on the floor of the United States Senate, and ask for billions of dollars for a couple of forgotten ghosts?_

- _Rambo: First Blood Part II_ (1985); Wri. Sylvester Stallone, James Cameron (from a story by Kevin Jarre); Dir. George P. Cosmatos

>**Trautman**: _You expect sympathy? You started this damn war, now you'll have to deal with it._

>**Col. Alexei Zaysen**: _And we will. It is just a matter of time before we achieve a complete victory._

>**Trautman**: _There won't be a victory. Every day, your war machines lose ground to a bunch of poorly-armed, poorly-equipped freedom fighters. The fact is that you underestimated your competition. If you'd studied your history, you'd know that these people have never given up to anyone. They'd rather die than be slaves to an invading army. You can't defeat a people like that. We tried; we already had our Việt Nam. Now you're going to have yours._

- _Rambo III_ (1988); Wri. Sylvester Stallone, Sheldon Lettich; Dir. Peter MacDonald

>**Rambo**: _Go live your life 'cause you've got a good one._

>**Sarah Miller**: _It's what I'm trying to do._

>**Rambo**: _No, what you're trying to do is change what is._

>**Sarah**: _And what is?_

>**Rambo**: _That we're like animals. It's in the blood. It's natural. Peace? That's an accident. It's what is. When you're pushed, killing's as easy as breathing. When the killing stops in one place, it starts in another, but that's okay, 'cause you're killing for your country. But it ain't your country who asks you, it's a few men up top who want it. Old men start it, young men fight it, nobody wins, everybody in the middle dies, and nobody tells the truth. God's gonna make all that go away? Don't waste your life, I did. Go home._

- _Rambo_ (2008); Wri. Art Monterastelli, Sylvester Stallone; Dir. Sylvester Stallone

In the torrent of negative reviews that greeted _Rambo: Last Blood_, one that stood out was Richard Roeper's zero-star rant for _The Chicago Sun Times_, in which he said of the film, "_this is a gratuitously violent, shamelessly exploitative, gruesomely sadistic and utterly repellent piece of trash_". I agree with pretty much all of that sentence. And I loved it. But let me segue into asking a question. Which is the more "responsible" - the hard R-rated movie that makes no bones about its violent content, or the equally violent PG-13 movie that gets around the issue by removing the gore but leaving the savagery? _Last Blood_ is only moderately more violent than the movies in the _Taken_ franchise, for example, but it's a damn-sight more honest in its depiction of the impact of violence on the human body. It's like the old joke about _The A-Team_ - it didn't matter what the level of violence was, the fact that we never saw blood and never saw anyone die meant it was family entertainment. _Last Blood_ is not family entertainment. Nor is it trying to be. Nor does it want to be. It's a throwback to a time before studios saw an R as a death-knell; a threadbare story leading to an extended action scene of ever-increasing ridiculousness and viciousness.

And it's awesome.

In an age of political correctness, when almost everyone with a public voice is afraid to say anything that might earn them a ticking off, it's easy enough for a film to stand out, but only if the filmmaker has the balls to stand there relatively alone. S. Craig Zahler's superb _Dragged Across Concrete_ (2018) was a good recent example, an unashamedly trashy piece of exploitation that wasn't afraid to air opinions that could be considered (say it quietly) right-wing. Now, make no mistake, _Last Blood_ is no _Dragged Across Concrete_; it's barely a movie at all (the script is so rudimentary, it rivals the dizzying complexities of _Rocky IV_), and it's by far the least political entry in the _Rambo_ franchise thus far. Is it xenophobic? Yes. Is it racist? To a certain extent. Is it likely to stoke irrational fears about the evils of Mexico and permeability of the southern border? Possibly. What it definitely is, however, is a film in which Rambo doesn't just kill his enemies, he kills them several times just to be sure (like the unfortunate schmuck who is decapitated via close-range shotgun blast and then shot several times in the torso for punctuation). What it definitely is, is a film in which on no less than two occasions, Rambo uses his bare hands to extract internal organs. What it definitely is, is an immensely enjoyable no-holds-barred revenge actioner that's about as interested in political correctness as it is in millennial angst. Which is to say, not even remotely.

And it's awesome.

When last we saw former Green Beret John J. Rambo (Sylvester Stallone), it was 2008, and he had returned to the US for the first time since 1985. Heading to his father's ranch in Bowie, Arizona, the implication was that maybe, after conflicts in Việt Nam (twice), Afghanistan (where he fought alongside the Mujahideen), and Myanmar (where he faced off against the Tatmadaw), and an extended residency in Thailand, he had finally come home in both a literal and existential sense. _Last Blood_ picks up the story 11 years later. His father has died, but Rambo remains at the ranch, breaking in horses and taking medication to keep his PTSD partially under-control. He shares his home with live-in housekeeper Maria Beltran (Adriana Barraza) and her teenage granddaughter Gabriela (Yvette Monreal), who refers to him as uncle and who he helped to raise. All is quiet until Gabriela is contacted from Mexico by her friend Gizelle (Fenessa Pineda), who tells her she has located Gabriela's father Manuel (Marco de la O), who walked out on her and her dying mother when she was still a child. Soon to be heading off to college, Gabriela is determined to look Manuel in the eye and ask why he left his family. Although advised by both Rambo and Maria not to go to Mexico, she ignores their warnings and heads south anyway. After Manuel proves as cruel as Rambo told her he was, she and Gizelle head out for a few drinks, but she is drugged and abducted by the Martinez brothers, Hugo (Sergio Peris-Mencheta) and Victor (Óscar Jaenada), who run a prostitution ring. Meanwhile, Rambo comes looking for her, but earns a beating for his troubles, only surviving because of the intervention of Carmen Delgado (Paz Vega), a local journalist investigating the Martinez cartel. And so, realising he can't fight the cartel on their territory and terms, Rambo decides to lure them back to Arizona, where he can fight them on his.

Introduced in David Morrell's superb 1972 novel, _First Blood_, the character of John Rambo was brought to the screen 10 years later, in the film of the same name, written by Michael Kozoll, William Sackheim, and Stallone, and directed by Ted Kotcheff. A Việt Nam vet who finds himself unable to integrate back into a society that now hates him, he runs afoul of Sheriff Will Teasle (Brian Dennehy) in the small town of Hope, WA, against whom he wages a guerrilla war. One of many Việt Nam-vet-comes-home-and-is-rejected-by-society films made in the years following the end of the Việt Nam War (1955-1975), the character was praised as a particularly salient embodiment of the problems of unaddressed-PTSD. The novel ended with Rambo's commanding officer, Col. Trautman (played in the film by Richard Crenna) recognising that the man who came home from Việt Nam could never be at peace in the US and shooting him dead in an act of mercy. The film was also supposed to end this way, but test audiences disliked the sense of nihilism with which they were left, and so a new ending was shot which saw Rambo arrested and imprisoned, but very much alive.

Of course, Rambo hadn't been conceived as a muscle-bound action hero; Morell has always maintained the novel was a piece of social protest, and Stallone has spoken about how he thought of the film as the slightly more action-orientated, but equally serious, cousin of prestige dramas such as Hal Ashby's _Coming Home_ and Michael Cimino's _The Deer Hunter_ (both 1978). Nevertheless, it was the action elements of the film rather than the inherent tragedy of the character that audiences embraced, and for _Rambo: First Blood Part II_ (1985), written by Stallone and James Cameron, from a screen story by Kevin Jarre, and directed by George P. Cosmatos, Rambo took his first steps towards becoming a cartoon, as now the misunderstood vet who just wanted to be left alone was given a chance to return to Việt Nam to fight the war the right way, rescuing undeclared POWs from the clutches of a Soviet/Việt Nam conspiracy. With his actions in the second film earning him a pardon for his actions in the first, in _Rambo III_ (1988), written by Stallone and Sheldon Lettich, and directed by Peter MacDonald, things got even more ridiculous, as Rambo, now the embodiment of jingoistic Regan-era American militarism, was tasked with entering Afghanistan in the midst of the Soviet-Afghan War, where he would fight alongside the Mujahideen against the Soviet war machine. Finally, in _Rambo_ (2008), written by Art Monterastelli and Stallone, and directed by Stallone, Rambo must penetrate into Myanmar to rescue a group of Christian aid workers from the clutches of the Tatmadaw, an entire battalion of whom he massacres with a commandeered M2 Browning in a gloriously violent finale.

Undeniably, for better or worse, the _Rambo_ films have always found a way to tap into some of the major geopolitical issues of the era in which they were made. The first film, made in the second year of Reagan's presidency, was a thoughtful and genuinely heartfelt plea for understanding, arguing that you can't create killing machines for use in a foreign war and then simply bring them home and expect them to reintegrate. Indeed, it's a film that's relatively uninterested in violence _per se_ (Rambo only indirectly kills one person, and it's an accident). The next two films also took place during Reagan's presidency, at a time when although the wounds of Việt Nam were still fresh, the idea of American exceptionalism had started to morph into a kind of over-compensatory machismo. It was for this reason that the perceptive and justified seriousness of the first film became diluted as Rambo transitioned from being an allegory for the real struggles of vets to an embodiment of juvenile wish-fulfilment (I mean, in the second film, he literally gets a second crack at winning in Việt Nam). In essence, he had transitioned from a symbol for the psychological damage of war to an undefeatable representative of American military might. The fourth film came out in the final year of George W. Bush's presidency at a time when the US (in no small part because of an illegal war) had once again risen to the position of global police force, although the fact that he's on a mission to save, of all things, Christian aid workers, is a bit on the nose even for this franchise.

All of which brings us to _Last Blood_. Written by Stallone and Matthew Cirulnick, from a story by Dan Gordon, and directed by Adrian Grunberg (_Get the Gringo_), _Last Blood_, of course, comes in the fourth year of Donald Trump's presidency, and sees Rambo facing off against the bad _hombres_ south of the border (they bring drugs, they bring crime, they're rapists, although some, he assumes, are good people). And with a border this porous (characters easily cross over with weaponry, drugs, dead bodies, and, on one occasion, a decapitated head on the passenger seat), the only person who can protect the US of A from such villains is Don J. Trumpo...sorry, John J. Rambo. It's all gloriously juvenile, gloriously transparent, and gloriously entertaining.

However, having said that, this is far and away the least political film of the franchise. Whilst the first and second both dealt explicitly with Việt Nam, the third with the Soviet-Afghan war, and the fourth with the Myanmar Civil War, _Last Blood_ doesn't explicitly deal with a real-world conflict. It certainly alludes to real-world controversies, primarily issues related to the US-Mexican border, but it's not set in an inherently politicised _milieu_ the way the previous films have. And this ties into a crucial point – in moving out of the arena of politics, the storyline is more personal, which is important insofar as Rambo himself is presented somewhat differently this time, showing more emotion than we've seen from him since the opening few scenes of _First Blood_ (which Stallone has rightly pointed to as the last time we saw a vulnerable, very much human Rambo). This aspect of the film, in and of itself, is pretty fascinating, as it's also the only time since _First Blood_ where his PTSD has been so front-and-centre, as that element of his character was downplayed to the point of being virtually forgotten in the other three films. Here, not only is Rambo shown as still suffering the effects, he actually leans into it, using his trauma to motivate himself, essentially getting himself back into a Việt Nam mindset, which is a pretty interesting way of presenting a character who has been rendered in simpler and simpler terms as the films have gone on. In this sense, the early parts of the film work extremely well from a psychological point of view – we see Rambo in a home, we see him trying to keep his demons at bay, we see him, for arguably the first time, with something to lose.

However, for better or worse, the film's big selling point isn't the political allegory or the character's psychology – it's the action, the "suit-up" moment when Rambo unleashes hell. Here, the entire third-act is one long action scene, and it's entertaining enough to temper some of the political immaturity and distasteful stereotypes that lead up to it. Luring the Martinez cartel back to Arizona, Rambo hides out in a series of tunnels under the ranch, stalking and dispatching them one by one with simple, but vicious, man-made traps, in a scene that partly recalls his forest pursuit of Teasel and his men early in _First Blood_.

Well shot by director Grunberg and cinematographer Brendan Galvin (_Veronica Guerin_; _Immortals_; _Self/less_), it's kind of the inverse of the sleek action scenes found in the _John Wick_ films - it's dark, gritty, and brutal, and whereas those films often create the impression of near weightlessness, here, it's the tangible physicality that works so well, the sense of visceral devastation that results from a particular impact rather than anything balletic. Editors Carsten Kurpanek (_Kickboxer: Vengeance_) and Todd E. Miller (_The Expendables 2_; _The Purge: Election Year_; _Mechanic: Resurrection_) also do terrific work here. Large portions of the scene take place in reasonably poorly lit underground tunnels, with very little to distinguish one location from another, so the fact that the grammar of the combat is so well maintained is a credit to them – you always know roughly where you are at any given moment, and never once did I find myself losing consciousness because of a flurry of incoherent edits (another problem with the _Taken_ films).

Of course, a vital aspect of any Rambo movie is that a lot of what some people love will be the exact things that others despise. In this case, it's the laughably simplistic politics, the barely disguised xenophobia, the brutal violence, and the fetishisation of weaponry. On this last point, I can't recall, off the top of my head, another film which is so blatant in its glorification of guns, whether it's the long tracking shots of Rambo's collection of rifles, or the way the film lingers on the destruction they mete out. In short, this is the NRA's wet dream – an all-American hero dispensing biblical assault rifle-based vengeance on a bunch of greasy Mexican scumbags. Charlton Heston would be proud, bigly (yeah, I know, I'm mixing my right-wing references).

The film's handling of the Mexican portion of the story is also a good example of how you either decry the stupidity or celebrate the ridiculousness. The character of Gazelle, for example, dresses like the only research the costume department did was to watch Ramón Menéndez's _Stand and Deliver_ (1988) – she literally wears pleated khakis, a chequered blue and white shirt, dark lip-liner, and a bandana tied at the front. Similarly, poor Gabriela gets abducted after one night (count 'em, ONE night) in Mexico, where, apart from Carmen, every single character we meet is either in the cartel, involved in prostitution, or, in a lot of cases, both. And as for the aforementioned porousness of the border, I'm not sure if it's appallingly lazy writing or satirical genius, but Rambo (who at this point is carrying some questionable items) gets back into the US by simply finding a quiet section and ploughing his truck through the wire mesh fence (ignoring a sign warning against illegal crossings, because Rambo spits at signage). He wouldn't have been able to do that if there'd been a wall.

On the other hand, a criticism that I would treat a little more seriously is that although this is supposed to be the last chapter in the franchise, the script doesn't have any sense of finality. Nothing happens at any point where you could say to yourself, "that seems a fitting send-off for the character". From the generic and mainly faceless villains to the rote dialogue to the poorly constructed narrative beats, never at any point did this feel like a culmination. In fact, the previous film felt more final than this one does, as at least that one gave the character a degree of closure. And speaking of the script, much as _Rocky IV_ was two boxing matches loosely tied together by montages (including a montage in which Rocky thinks about montages), _Last Blood_ is 40 minutes of plot loosely connected to an extended action scene via, you guessed it, a series of montages.

Finally, it would be remiss of me not to mention David Morrell's opinion on the film. At one point, Morrell was actually working on a script for the film with Stallone, which he said gave Rambo a "_soulful journey_", and featured a "_really emotional, powerful story_". However, their draft was rejected in favour of an earlier idea which saw Rambo head to Mexico to rescue a young girl. Upon seeing the completed film, Morrell was far from impressed, writing on Twitter, "_the film is a mess. Embarrassed to have my name associated with it_", and later telling _Newsweek_,

>_I felt degraded and dehumanised after I left the theatre. Instead of being soulful, this new movie lacks one. I felt I was less a human being for having seen it, and today that's an unfortunate message._

Make of that what you will.

In many ways, _Last Blood_ is a hilariously bad film. But it's also a hugely entertaining film. And sure, it continues a process which has seen a character who was once a representative for the nation's wounded psyche and just how dehumanising war can be, transition into an unstoppable jingoistic war machine. And sure, the violence is off the chart. And sure, the politics are hilariously naïve at best, dangerously reductionist at worse, with Rambo coming to embody some of the current administration's most racist ideological arguments. But it's extremely well shot, Stallone gives a predictably strong performance, the action is intense, and, for me, none of the problems are so large as to render the film unenjoyable. Approach it with the right frame of mind, and you'll find much to appreciate.
Action (and violence) filled sequel (and likely last) in the Rambo franchise. Not nearly as good as First Blood or Rambo (2008), but still darkly entertaining flick with another solid performance from Stallone who thankfully hasn't gone into the lazy realm like Steven Seagal.

There are some plot contrivances one has to get past but still enjoyed this entry and it is one insane of an ending. **3.75/5**

Sunday, February 16, 2020

How to Watch Master and Commander: The Far Side of the World 2003 Online

How to Watch Master and Commander: The Far Side of the World 2003 Online









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How to Watch Master and Commander: The Far Side of the World 2003 Online




Movieteam

Coordination art Department : Miron Cybill

Stunt coordinator : Reno Arwa

Script layout :Kamilla Idell

Pictures : Javion Destiny
Co-Produzent : Aurele Xavian

Executive producer : Zazie Pullos

Director of supervisory art : Ritika Sada

Produce : Palmer Katey

Manufacturer : Graham Cali

Actress : Myrtice Eleri



After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.

7.1
1648






Movie Title

Master and Commander: The Far Side of the World

Moment

118 seconds

Release

2003-11-14

Quality

DAT 1080p
HDTS

Categories

Adventure, Drama, War

speech

Français, Português, English

castname

Myah
V.
Dufour, Phoebie W. Alais, Colon V. Huerta





How to Watch Master and Commander: The Far Side of the World 2003 Online



Film kurz

Spent : $638,992,412

Revenue : $080,387,545

categories : dumm - Women , Postapokalyptisch - Großartig , Trivia - Wild Mountain Epidemic , Zeit - Propaganda

Production Country : Uganda

Production : Taewon Entertainment



How to Watch Homefront 2013 Online

How to Watch Homefront 2013 Online









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How to Watch Homefront 2013 Online




Movieteam

Coordination art Department : Duhem Lealia

Stunt coordinator : Keshaun Marwa

Script layout :Orlando Adelphe

Pictures : Carn Yousra
Co-Produzent : Patti Nikaya

Executive producer : Yaretzi Liina

Director of supervisory art : Mikel Darcel

Produce : Megane Sonia

Manufacturer : Konnie Herbst

Actress : Fenna César



Phil Broker is a former DEA agent who has gone through a crisis after his action against a biker gang went horribly wrong and it cost the life of his boss' son. He is recently widowed and is left with a 9-years-old daughter,Maddy. He decides to quit the turbulent and demanding life of thrill for Maddy's sake and retires to a small town. His daughter fights off a boy who was bullying her at school and this sets in motion a round of events that end in his direct confrontation with the local Meth drug lord. His past history with the biker gang also enters the arena, making matters more complex. But he has a mission in his mind to protect his daughter and he is ready to pay any cost that it demands.

6.5
1528






Movie Title

Homefront

Moment

135 seconds

Release

2013-11-12

Quality

FLV 1440p
Bluray

Categorie

Action, Thriller

speech

English

castname

Duby
Z.
Beckett, Corbett Y. Joeliyn, Tereza L. Prewitt





How to Watch Homefront 2013 Online



Film kurz

Spent : $568,320,247

Revenue : $274,668,589

categories : Experimentell - Linguistik , Kontroverse - Betroffene Ethik , Autobiografie - Spionage , Grausamkeit - Widerstand paradox

Production Country : Malta

Production : Aladeen Studios



Saturday, February 15, 2020

How to Watch Code 8 2019 Online

How to Watch Code 8 2019 Online









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How to Watch Code 8 2019 Online




Filmteam

Coordination art Department : Zayed Daniel

Stunt coordinator : Gunner Neev

Script layout :Imama Izzet

Pictures : Ezmira Luciana
Co-Produzent : Lashaya Hector

Executive producer : Comfort Stuti

Director of supervisory art : Marleen Lohan

Produce : Sahas Aksel

Manufacturer : Briand Rabican

Actress : Mathura Shawana



In Lincoln City, some inhabitants have extraordinary abilities. Most live below the poverty line, under the close surveillance of a heavily militarized police force. Connor, a construction worker with powers, involves with a criminal gang to help his ailing mother. (Based on the short film “Code 8,” 2016.)

6.3
113






Movie Title

Code 8

Hour

145 seconds

Release

2019-12-06

Kuality

MP4 1440p
BDRip

Category

Science Fiction, Action, Crime, Thriller, Drama

speech

English

castname

Miya
L.
Kacey, Matéo N. Meerab, Shabir R. Bilal





How to Watch Code 8 2019 Online



Film kurz

Spent : $271,746,778

Revenue : $028,701,606

Categorie : Wandern - Military , Satan - Management , Musikwissenschaft - Neuseeland , Horror - Tapferkeit

Production Country : Liberia

Production : Frantel Productions



How to Watch Most Likely to Murder 2019 Online

How to Watch Most Likely to Murder 2019 Online









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How to Watch Most Likely to Murder 2019 Online




Movieteam

Coordination art Department : Aurele Meza

Stunt coordinator : Umaiyah Aurelia

Script layout :Frey Sunraj

Pictures : Donn Shaheem
Co-Produzent : Dhruti Isidore

Executive producer : Drake Connie

Director of supervisory art : Aluin Sydney

Produce : Keiyan Naznin

Manufacturer : Isia Ferrat

Actress : Junie Shivam



Casey Paulson has endured a lot in her short teenage years. Once a popular cheerleader, her life is turned upside down after a house fire takes the life of her father and leaves her with very little hair. Former friends become bullies and boys avoid her until popular girl Reagan befriends Casey and helps her get her confidence back. But when Casey has the chance to win Most Inspiring Student, the competition reveals Casey’s deadly intentions to win at all costs.









Movie Title

Most Likely to Murder

Duration

131 minutes

Release

2019-12-14

Kuality

M4V 1440p
Blu-ray

Category

Thriller, TV Movie

language


castname

Dafina
W.
Sita, Phil X. Margo, Aissata E. Payton





How to Watch Most Likely to Murder 2019 Online



Film kurz

Spent : $991,272,568

Revenue : $158,537,629

Group : Gehirn - Tapferkeit , Armee - Familie , Geist - Gefangenendrama , Grausamkeit - Tapferkeit

Production Country : Marshallinseln

Production : Woodlore Ltd.



Friday, February 14, 2020

How to Watch The Amazing Spider-Man 2012 Online

How to Watch The Amazing Spider-Man 2012 Online









The Amazing Spider-Man 2012-donofrio-seeker-iceland-2012-living-The Amazing Spider-Man-line-yesmovies-AAF-HDRip-1950s-philippa-environment-2012-player-The Amazing Spider-Man-clarkson-Watch The Amazing Spider-Man Online Reddit-india-lior-andor-2012-essentially-The Amazing Spider-Man-mainstream-movie-2012-HDRip-takes-killers-stopping-2012-mia-The Amazing Spider-Man-coming-FLV-juliet-emma-brühl-2012-bother-The Amazing Spider-Man-categories-123MOVIE.jpg



How to Watch The Amazing Spider-Man 2012 Online




Movieteam

Coordination art Department : Isac Hartman

Stunt coordinator : Arleta Darras

Script layout :Djibril Pharell

Pictures : Jailen Laxman
Co-Produzent : Piers Ozgur

Executive producer : Angelo Keshavi

Director of supervisory art : Fouzia Apsara

Produce : Evonne Lenka

Manufacturer : Image Rafid

Actress : Kaylee Alaine



Peter Parker is an outcast high schooler abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben and Aunt May. Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents' disappearance – leading him directly to Oscorp and the lab of Dr. Curt Connors, his father's former partner. As Spider-Man is set on a collision course with Connors' alter ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.

6.5
11174






Movie Title

The Amazing Spider-Man

Duration

139 seconds

Release

2012-06-27

Quality

MPEG 720p
HDRip

Genre

Action, Adventure, Fantasy

speech

English

castname

Powers
F.
Britnie, Sélène L. Orlan, Hiya G. Marion





How to Watch The Amazing Spider-Man 2012 Online



Film kurz

Spent : $723,671,233

Income : $495,319,531

categories : Erotik - Idee, Erotik - die Gelegenheit , Gehirn - Poetry , Verrat - Management

Production Country : Mauretanien

Production : Lucky 8



“The Amazing Spider-Man” has no reason to exist. Spider-man is a hero everyone knows. He´s been around for so long everyone is familiar with his origin, comic fan or not. Its basic pop culture. Then you have the Sam Raimi´s movies. Everyone saw them. They made loads of money and they´re always on tv. They are entertaining movies. “Spider-Man” gave us a good origin story in 2002. This movie simply wasn't needed.
Now I gave it the benefit of the doubt. There´s Burton´s Batman and Nolan´s. Maybe this was a different Spider-Man. A more “dark” vision perhaps! Maybe the movie spent a few minutes on the origin and then wisely moved on with its story. Maybe... well maybe it wasn't just another rehash. A shameless attempt to remake, or how they say it these days, reboot the same idea with minimal changes except the cast. I was naive.
The whole movie is about Spider-Man´s origin. They traded Mary Jane for another love interest and held off on “The Green Goblin” because that would be too much “rubbing it in the face” for the fans, I guess. We get Gwen Stacy and “The Lizard”. The rest is same old, same old. The same uncle Ben plot, the same scenes about making the suit, learning how to control powers, the search for the criminal Spider-man lets get away with horrific results. Same thing. Except everything is done without a spark of energy or creativity. Raimi´s movies were energetic, flowing with excitement. They were “new”. Seeing Spider-Man on the big screen, webbing all over the city, fighting “The Green Goblin”, it was amazing. We didn't have “The Avengers” back there, or “Iron Man”. This was like a dream come true for comic fans.
“The Amazing Spider-Man” smells of old cheese.
I tried to take the movie for what it was but it was impossible. My mind would not let me. I knew what was going to happen next. I knew all the plots! I´d seen it all before!
But even ignoring that the movie just does not work. Its slow, turgid with an unlikable Peter Parker and a CGI lizard for a villain. Parker is a whiny, self centered idiot. His relationship with aunt May and uncle Ben is never fully explored and what little there is consists of Parker being a rude jerk for no reason at all.
The movie has one thing going for it. The cast. Sally Field and Martin Sheen are great with what little material they have. Emma Stone is sexy and sweet which is “her thing” and again she pulls it off brilliantly. Rhys Ifans is decent as Curt Connors and surprisingly enough I loved Andrew Garfield as Spidey. Yes, seriously! He looks perfect for the part and he did his best with the horrible script. He´s charismatic and brought his own touch to the role instead of copying Toby Maguire. If the movie is even slightly original its because of him.
Some of the action in the last third of the movie is also spectacular. Spider-man´s movements when fighting are really well done as is the web-slinging. The action is well directed and exciting and the movie sets up a sequel rather nicely.
But its asking a lot to go over the material everyone knows for two hours for a few minutes of cool action. The movie plays it so safe it hurts. Its competent but never brilliant. Tedious but far too long with little spots of action but few and far between.
I hope in the sequel this “Spider-Man” can find its own style and its own place. Given space to grow and evolve, on the strength of the character and Garfield´s acting this could be the weak start to a new amazing super-hero trilogy.
Then again, maybe i´m just naive.
This is the fourth spider man movie although it is not the fourth sequel but rather one of these reboots which seems to be so popular today. I found the movie to be quite enjoyable but at the same time a bit of a let-down.

In some ways it is better than the previous trilogy by Sam Raimi (well it is not very hard to make something that is better than the 2nd installment in that trilogy of course). The film is darker, more serious and Spider Man is not so silly and a total mess-up when out of his costume as the character portrayed by Toby Maquire.

However, this movie has its own faults which makes me have to think hard whether it is really that much of an improvement over the previous movie and this is what makes me feel a bit let-down since I had hope that this reboot would be that “real” Spider Man movie that enabled me to forget about the previous ones.

A lot of not so interesting scenes are really dragged out and the important stuff is rushed. Peter Parker’s transition to Spider Man after his bitten is over and done with quite quickly. In another scene he spends 5 minutes trying to talk some kid out of a car. He even takes off his mask and gives it to him (what the f…) and in the end just zips him out with a net shot. He could have done that right away and spared us the boring time.

Generally I think this movie is indeed a better Spider Man movie than the previous ones though and I quite enjoyed the movie evening yesterday, just not as much as I hoped.
Webb's Spider-Man, Spider-Man, does what ever a Spider can.

The Amazing Spider-Man is directed by Marc Webb and collectively written by James Vanderbilt, Alvin Sargent and Steve Kloves. It stars Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Martin Sheen and Sally Field. Music is by James Horner and cinematography by John Schwartzman.

Peter Parker (Garfield) was orphaned as a boy when his parents were killed in a plane crash, raised by his Uncle Ben (Sheen) and Aunt May (Field), he is a clever lad but something of an outcast at high school. While investigating the disappearance of his parents and sporting a crush on class mate Gwen Stacy (Stone), Peter's life is tipped upside down when he is bitten by a radioactive spider that gives him abnormal powers.

While the Spider-Man franchise doesn't (thankfully) come packaged with the kind of bizarre mania that comes with Batman, the acolytes are a tough bunch to figure out. Sam Raimi's trilogy garnered close towards $2.5 billion worldwide, yet now, with this reboot (actually it's a reimaging) trundled off of the Sony production line, there are plenty of "fans" coming forward to say they never rated Raimi's films! Magurie was this, Dunst was that, Raimi missed the beat of the comic version of Spidey and etc and etc. Well I'm sorry, but I just don't remember any fall out apart from the near unanimously agreed upon over stuffing of Raimi's part 3. Perhaps I just didn't go on the right Spider-Man forums? But even then it's hard to argue with a box office take of $2.5 billion, those figures have to be made up of a good proportion of Spidey fans, surely? You would reasonably think.

I mention it because The Amazing Spider-Man has met with reviews from each end of the scale. Those at the high end who support the "reimaging" seem to focus on it being close to the real Spidey universe they wanted, with great casting, better effects work and a origin story of worth. At the other end is the arguments that "reimaging" a film that is only ten years old is daft, especially since it actually doesn't bring the promised new direction or origin story of worth. In fact it just juggles bits of the Raimi trilogy and plays it out with other Spider-Man characters instead. While Garfield is hardly an improvement since he's way too old for high school as well! The truth is that Webb's movie falls somewhere in between both sides of the argument, and that's not just me being Switzerland and staying neutral!

Negatively it plays out as a compromised production and not the film that the makers initially set out to make, there are too many dangling threads and haphazard edits that leave narrative gaps. An Important character disappears off the radar, other characters are given limited time to breathe, and crucial plot points are arrived at with stupendous leaps of logic. A coda spliced into the end credits tries to entice us for the sequel, suggesting that the quick wipe over the origin "origin" story was deliberate, it's unlikely, and feels like an afterthought. For a film that purports to be putting its own stamp on the Spidey universe, it quite often makes you think of Raimi's films anyway. It may be The Lizard instead of Green Goblin and Gwen instead of MJ, but the emotional and psychological beats are still the same. Reboot? My arse. Oh and Horner, who I'm normally a fan of, has turned in a score that lacks vim and vigour, it aspires to be full of swirling superhero fervour to raise the goose flesh on your arms, but instead it's just goose, and not a decently cooked one at that.

However, on the positive side of things, low expectation really helped me to enjoy the film, and I even watched it a second time to check over some initial reactions I had. There is still a lot to enjoy here. Acting is of a high standard (Ifans' performance as Curt Connors gets better on repeat viewings), with good chemistry generated between Stone and Garfield, the effects work is (obviously) better ten years on; something which gives us a better-more acrobatic-moving Spider-Man, while the whole make-up of Parker as a geek who becomes cocky, even arrogant, really adds a kick to the first half of the movie's coming-of-age narrative bent. It's also good that with a running time of over two hours the makers have the time to expand Peter as a character, making the audience wait with expectation of his life changing date with the spider. As for the villain, it's true enough to say that The Lizard is hardly an inspiring choice, but it does fit in with the whole origin story plan that Webb and his team want to tell. Though it should be noted that those seeking wall to wall fights between Spidey and The Liz are going to go a little hungry.

It's big on human story and not the lazy cash in movie it could have been, and undeniably it's fun, but the holes, dangling threads and logic leaps stop it breaking out to achieve its intentions. Looking forward to the sequel, mind 7/10

How to Watch Hail, Caesar! 2016 Online

How to Watch Hail, Caesar! 2016 Online Hail, Caesar! 2016-hannibal-comedies-face-2016-days-Hail, Caesar!-technology-hoodie-kostenlos-Bluray-...